Hello everyone, please forgive my hiatus from this blog! It
was a busy summer shooting a new sitcom and I just started working in a new
Reality show, both of which I’ll write about in the near future.
Last night was definitely one for the books. I got to attend
“The Writer’s Room” at the DBA Hollywood. Moderated by Reza Aslan, the
discussion panel featured one of my idols, Academy Award winning screenwriter
Dustin Lance Black (Milk, J. Edgar), and Academy Award nominee
Craig Borten (Dallas Buyers Club).
The
evening started off with a glass of wine and some house music, followed by a
stand-up act by a funny man whose name I can’t remember. Anyway, the main event
commenced with Mr. Aslan introducing the gentlemen.
So
many things were covered. From screenwriting methods, getting started in the
industry, issues that ranged from lgbt rights to religion, and pressure to keep
momentum after working on Academy Award winning films.
“The
most important thing about the story is not an event or a place, it’s a
person,” said Dustin Lance Black. He stated that stories are compelling not
because they revolve around events, but because they happen to a person. “The
king of note cards,” as Mr. Aslan called him, said that even though his stories
are based on true events, they are tweaked in a way to provoke the present and
spark a bomb that will help change things for the future. For example, he
thinks documentaries are interesting because they are informative, but his goal
when writing a movie based on true events is to make it applicable to current
events so that it can inspire action by people. Something else that Dustin said that really stuck with me was, "Write about things you know."
Olympic Diver Tom Daley
Fantastic blog! Can I ask why you have a photo of Tom Daley? Was he at the event? Did he have a part to play?
ReplyDeleteThank you! As you probably know, he's in a relationship with Dustin. I'm a big fan of his since the 2008 Olympics. He happened to be sitting a few rows behind me, so I approached him. He was really sweet.
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